![]() When I did his show, everything was on the table. You don‘t like him, do you?ĬOOPER: Listen to me. This is the man you once said was a miserable man, if he saw somebody needing attention on the side of the road, he‘d pass him, that his wife would leave him. He‘s a very bright man.īUSH: Pat, you‘re hugging him and kissing him right now. And all of a sudden-all of a sudden that he‘s going on pay radio, they‘re making him special. He has a talent and he‘s a one of a kind. I get my kicks when I see those who did not want him around are now kissing him and hugging him. PAT COOPER, COMEDIAN: The man is a giant, and he‘ll be a bigger giant. How do you think Stern‘s move to satellite is going to play out for him? Can he get any rougher, raunchier than he already is? He‘s even had his own arguments with the radio shock jock. Pat‘s been a regular on Howard‘s show through the years. The privacy right protects you in the docile-the domesticity of your own home, and it stops as soon as you walk past the threshold, Billy.īUSH: Well, you know what? I‘ve got a daughter who‘s growing up. And again, if Jennifer-if Jennifer Aniston or any A-list celebrity or any of us is impetuous enough to walk outside naked, you give up that right to privacy. But it stops as soon as you walk out of your house. Now, let me tell you why it doesn‘t because I know the law. In 1976, Larry Flynt made history in “Hustler” by having Jacqueline Kennedy Onassis impetuously walk out and pick up the newspaper from her villa butt-naked, OK? Now, if you‘re that dumb, Jennifer Aniston, to walk outside naked, I‘m that smart to get the pictures and broker them!īUSH: Yes, but I mean, would any magazine-if they weren‘t on the World Wide Web, is there a magazine that would buy these? Because they‘re very invasive photographs and I think constitute trespassing a little bit, don‘t you? Now, (INAUDIBLE) to the point of-and here‘s the best example I can give you. But he has his job, and as long as he conducts himself in a lawful manner, I respect what he does. ![]() I‘ve heard of his reputation on distorting photographers, what the exact reality is. WALLACE: I‘ve never had a personal experience with this gentleman before. The technology today for these lenses up to 1,000 feet of crystal-clear image and elevate (ph) yourself is, in my mind and my partner‘s mind, a clear violation of her privacy.īUSH: Have you and Todd ever crossed paths? Dan, do you know Todd Wallace? And Todd, do you know of Dan? And have you guys seen each other out there? How do you feel about each other? Go ahead, Todd. I believe the photograph taken by Peter Brandt (ph) was a clear violation of her privacy. I mean, there she is in her-even though it‘s taken from a mile away, and used, you know, quite an intrusive lens. The competition is stiff.īUSH: What do you think about this photograph of Jennifer Aniston? I mean, taken topless. There‘s, you know, hundreds and hundreds now. If it‘s going to be published in American magazines, then it‘s going to go up dramatically.īUSH: And you wonder why in the last five years, the amount of paparazzi shooting photographs has gone right through the roof. If it‘s just going to be-if it‘s just going to be published in European magazines, then it‘s going to be in the low $300,000 area. ![]() WALLACE: Jennifer topless? It‘s going to produce somewhere in the range of anywhere from $500,000 to $1 million, depending what publications publish it. When you take a picture with a long lens a mile away, the quality of the picture goes down dramatically.īUSH: Real quickly, Todd, how much would a photo like that-how much, if somebody bought that, would that picture sell for, do you think, Jennifer topless? ![]() I know that if I was taking the picture, I would present myself in a much closer area so I could get a much higher quality picture. I wasn‘t there at the exact moment the picture was taken. WALLACE: Each story has its exact definition.
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